Prompt: The folklore- Arden
makes fantastic (pun intended) use of the folklore of her chosen era, all
the chyerti of
the old religion. To mention just a few: the vodianoy or
river-king, the domovoi that
cleans and mends and lives in the oven, the twig-man in the trees, the rusalka with
her green skin and weedy hair, the vazila who
looks after horses, the bannickor
bath-house spirit, the leshiye or
wood-guards who lead people astray, the upyr or
the undead (from where we get the name “vampire”). How has the author used this
rich storehouse of known folklore to produce her novel, to generate its plot,
its conflicts, its characterization.
Before I even started the book, the use of folklore to
generate the books plot was evident in the blurb. But even before the first
page, it tells of how not honoring the household spirits creates conflict in
the story and it is up to Vasya to save everything. The characters are mythological
creatures, the plot is about them and the girl who can see them, the conflict
is caused by their kind. Everything is looped into this retelling of folklore
that not many people know much about.
I knew the rusalka before this book, having researched it and
other sirens/mermaids for my thesis before I had chosen on a firm setting for
my story. I adored seeing it and other odd folk creatures pop up in this story.
I think that folklore and myths outside of Greek, Roman, and Norse are not
mentioned enough, so it’s nice to see them utilized and brought to the publics
attention.
We think of mythological creatures having existed for years
before us and being self-aware, so I love that some of them in this book, like
the vazila doesn’t know how it came to be and ‘names itself’. I also appreciate
that this girl who is one of the few that can see the spirits befriends even he
dangerous ones, like the rusalka, and in exchange for her companionship they
all seem to teach her a special skill of nature beyond what other humans
normally know, like speaking the language of horses or climbing trees like
cats. The most obvious use of the lore though is the frost demon, who makes appearances
throughout the story. I love retellings, like how Morozko is another version of
Father Frost/ Jack Frost. It brought up fond memories of movies where winter is
depicted as both harsh and festive, like the Winter Warlock from Santa Claus is
Comin’ To Town.
However, the pacing of the book feels like the author
decided to include Vasya’s entire life and backstory chronologically rather
than only including the important parts and sprinkling in past details
throughout as necessary. It reads like something you would read a chapter or
two of before bed each night, but would be unable to binge read. That is, at
least not until about 100 pages in.
The evidence is clear when you consider the blurb versus the
content of the book. The blurb tells us right away that Vasya’s mother dies and the
girl has issues with her new stepmother, but we don’t even get her step-mother’s
marriage until Chapter 9. Plus, for a book supposedly about Vasya, all the
chapters up until 11 are more a tale of Pyotr and the struggles of being a
single dad with tons of children. All of Part 1 is interesting, but disjointed from the mood of the other sections. The plot really gets going once we reach Part 2.
That being said, I really enjoyed the book after that. I can see why it get glowing reviews for it's stunning prose. It is the first book in a trilogy, so I may just have to pick up the other books next time I have free time to read for fun.
Verdict: read at your own pace and savor it
Verdict: read at your own pace and savor it
No comments:
Post a Comment